Collections

Cats and Gardens

(left) Zombie Cat I,ca. 2012 • Acrylic • 12 × 16". Zombie Cat II,ca. 2012 • Acrylic © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

(middle) The Garden at 21 King Edward • 2010 • Acrylic on paper • 8 × 12" © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

(right) The three-eyed cat that lost an eye ca.2012 • Acrylic on canvas • 24 × 32" © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

© 2026 Estate of Dr Matthew Simpson. All rights reserved. 

Trees

(left) Untitled (Tree I), (middle) Untitled (Tree II), (right) Untitled (Tree III). All ca. 2012 • Acrylic • 8 × 12". © 2026 Estate of Dr Matthew Simpson. All rights reserved.  
 

(left) Big Tree (2011), (middle) Untitled (ca. 2013), (right) The Trees at Wan Chai (2024) © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

Landscapes

(left) The Munros, acrylic on canvas, x inches (2014). Inspired by the work of David Hockney.© 2026 Estate of Dr Matthew Simpson. All rights reserved. 

(middle) Scotland, acrylic on canvas, x inches (2014). © 2026 Estate of Dr Matthew Simpson. All rights reserved.  

(right) Skyscrapers, acrylic on canvas, x inches (ca. 2012). © 2026 Estate of Dr Matthew Simpson. All rights reserved.   

The Dolomites, oil on canvas, 6 x 2 ft (2021). © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

Scientific collection - IEM

A selection of Ironic, Entropic Masterpiece versions. (yellow) IEM II, purple IEM III, blue IEM IV. © 2026 Estate of Dr Matthew Simpson. All rights reserved.   

(right) Photograph of the original display of post-it notes, 'IEM I'. © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

Scientific collection - Molecules (aqueous)

(left) Water, acrylic on canvas, 12x16 inches / 30.5x40.6 cm (2024).  In this work, a cork stamp is used to represent the 105-degree angle in a water molecule and layered on a canvas using different colours. It highlights the closeness of particles in a liquid, providing a dynamic perception of constant movement and collisions. Water also models the disorder of molecular liquids, with each stamp being rotated randomly before placement on the canvas. The perception of pattern is ironically created from this replication of infinite randomness. [MJS] © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

(middle) Melting, acrylic on canvas, 12x16 inches (2024). An abstract interpretation of melting, it shows the contrast in the order of the hexagonal structure of ice, and the random and chaotic nature liquid water. Despite the scale being in nanometers, it ironically depicts a landscape image of two icebergs. [MJS].© 2026 Estate of Dr Matthew Simpson. All rights reserved. 

(right) Ice, acrylic on canvas, 12x16 inches (2024). Ice models the hexagonal structire of ice, where the value of natural chemical structures and pattern are seen from an artistic viewpoint. [MJS] © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

Scientific Collection - Molecules (organic)

(left) HDPE, acrylic on canvas, 12x16 inches / 30.5x40.6 cm (2024). This work models to nanoscale structure of high-density polyethylene, inspired by Hong Kong's contribution to the history of global plastic production. [MJS] © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

(right) Polystyrene, acrylic on canvas, 12x16 inches (2024). © 2026 Estate of Dr Matthew Simpson. All rights reserved. 

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